This study investigates the representation of Black female masculinity and cyborg feminism in Black Panther: Wakanda Forever (2022) through a semiotic and postmodern theoretical framework. Films often serve as powerful media in reproducing or challenging dominant social constructions of race, gender, and power. Black Panther: Wakanda Forever, as a mainstream cinematic work, presents a nuanced portrayal of Black female identity. The analysis focuses on the characters of Queen Ramonda, Shuri, Okoye, Riri Williams, and the Dora Milaje, who embody non-normative gender expression, technological agency, and resistance against patriarchal and racially charged power structures. The data consists of 53 selected scenes and five significant dialogues. By employing the semiotic theories of Roland Barthes and Christian Metz, the study interprets visual, verbal, and symbolic signs that reveal how these characters challenge the boundaries of gender, race, and culture. The female characters are portrayed as hybrid figures, merging human and machine, who embody courage, intelligence, and leadership. The findings demonstrate that the film constructs an alternative narrative of Black female empowerment through fluid, progressive identities that subvert dominant norms, showing that the female characters represent Black female masculinity through a rich intersection of gender performance, cultural symbolism, and narrative power. Their masculinity is not about replicating male dominance, but about asserting agency, intelligence, and strength in ways that reflect their identities as Black women. They lead, fight, build, and protect-reshaping the meaning of heroism itself. This representation offers a radical departure from mainstream gender norms, positioning Black female masculinity not as an exception, but as a legitimate and empowering mode of being in both cinematic and cultural discourse.